MOVIES!!!!!!!!!!!!!!!!!!!!!

MOVIES!!!!!!!!!!!!!!!!!!!!!

Sunday, November 23, 2014

Cinema: Disney's Big Hero 6

DISCLAIMER: All images and videos in this blog review are owned by their respective owners.

Summary:
In the futuristic metropolis of San Fransokyo, teenager Hiro Hamada is a child prodigy and genius who is bored with his life and spends it time fighting in robot arenas and gambling. His older brother Tadashi convinces him to use his brain and invent something truly wonderful, but shortly thereafter a fire claims Tadashi's life. With Tadashi's friends and his final invention, a robot nurse named Baymax, Hiro will form the superhero team Big Hero 6, apprehend the perpetrator of the fire, and learn the lessons of loss and acceptance along the way...


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Walt Disney Animation Studios have certainly been on a role these past five years. Let's take out our notebooks and have a little history lesson to explain why I think this is a big deal.



The Walt Disney Studios company has many branches that handle their various properties, but the main one is Walt Disney Animation Studios. This part of the company is the one that created Snow White and the Seven Dwarfs waaaaaay back in 1937. Snow White launched what is regarded today as the Disney Animated Canon; main theatrical features of WDAS that are considered some of the best animation the company has to offer. Between 1937-2014, 54 of these movies have been released to various successes. I will explain in a separate blog entry about the history and varied eras of WDAS. I fear if I explain it now, on top of this review, it'll be far too long.

But in short, I freaking love Disney. Yes, they have produced and created stuff I absolutely despise on both television and film, but as far as their Animated Canon goes? I really dig it. I grew up watching these movies, and remembered lines, characters, songs and scenes from them. I think, even more as adult, I appreciate them more because now that I am older I can really see how they are made and the hard work put into them. Heck it's because of a Facebook review of Frozen that I did last year that got me into movie reviewing in the first place. You can find the review here, if you're curious:

Pre-Blog movie review: Frozen (Originally written November 29, 2013)

Ever since Frozen's monumental success, my love for Disney returned, and gave me much more anticipation for their next hit. And that movie is the subject of today's review: Big Hero 6.

Marvel's Big Hero 6

Like almost every other entry in the Disney Animated Canon, this movie is based off a pre-established work. Disney's Big Hero 6 is based off the Marvel comic book of the same name. Said comic book was written by Steven Seagle and Duncan Rouleau in 1998. This Japanese-based team appeared in a handful of stories since then, but they are certainly no big-namers like Spider-Man, the X-Men, and The Avengers. After their final published book, they remained dormant and forgotten among Marvel's other lesser-known properties. I have no real opinions on the comic itself as I've never read it.

For a while after Disney acquired Marvel, there was speculation on whether or not Disney would make a movie based off one of its properties. In 2012, Disney officially announced that one of their future projects would be an adaptation of a Marvel work, and Big Hero 6 was it, making this movie Disney's first movie based off a Marvel comic, and first superhero movie (Not counting Pixar's The Incredibles). Of course, as per the norm, Disney took the property and put their own spin on it, changing details and giving that Disney feel while several Marvel staff served as creative consultants. Despite the Marvel origin, make no mistake. This is definitely 100% Disney, so don't expect the heroes in this movie meet the Avengers.

Disney's Big Hero 6
To follow up on my original Frozen review, I will be much more organized for this one. I shall be judging the movie based on the following categories: Story, Characters, Themes, Music, Animation, and have a conclusion with a numbered score. But to give a non-spoiler summation of my thoughts: I liked it, it was very enjoyable. The two main characters are just perfect, the story is fun, entertaining & tugs at your heartstrings, and the animation was great. The side characters could have used a little bit more development, the music was nothing to write home about, and some may find the plot twist of the movie a little predictable. I wouldn't call it an "amazing" movie, but I felt it was great, and it continues Disney's current successes on their animated movie front.
Story:
The story takes place in the metropolis of San Fransokyo (A combination of San Francisco and Tokyo) and follows a young teenage genius named Hiro Hamada. He graduated high school at an early age but doesn't know what to do with his life and feels going to college would be a waste of time. So instead he uses his robotics knowledge to build a robot that wins him gambling money in illegal underground robot fights. After a particularly nasty incident, his brother Tadashi saves him and berates Hiro for wasting his life. To inspire Hiro, Tadashi takes him to his school and introduces him to his friends: adrenaline junkie Go Go Tomago, laser expert Wasabi, chemistry whiz Honey Lemon, and comic fan Fred. Hiro later meets Tadashi's teacher, Professor Callaghan, and Tadashi's pet project: A robot nurse named Baymax.

Inspired, Hiro attempts to get into the school by creating a robotics presentation. He invents Microbots: tiny swarms of robots that have many applications and are controlled by thought. Hiro gets into the school, but a fire breaks out and Tadashi and Callaghan are killed. A mourning Hiro shuts himself off from the rest of the world until one day, Hiro discovers one of his Microbots still active. With help from Baymax and Tadashi's friends, they discover a masked villain that stole the Microbots, and started the fire that killed Tadashi and Callaghan. After a narrow escape, they decide that, with Hiro's genius and the others's own abilities, they will form their own superhero team to counter the threat of this villain and discover who perpetrated the fire.
Along the way, they discover who really started it, and an enraged Hiro wants revenge. After failing to claim the villain's life, Hiro is saddened until Baymax shows him how Tadashi is never really gone. Accepting the loss, Hiro and his friends return to confront the villain once more. In the process of defeating the villain, Baymax is lost, until sometime later Hiro rediscovers how to rebuild him. With their first adventure behind them, the team vows to become San Fransokyo's protectors.

I felt the story was good for the most part. It had a very strong start that showed just how bonded Tadashi and Hiro were. It's especially good as a follow-up to Frozen, which was at its heart a tale of sibling love. So, it was nice seeing that theme carry into this movie too. Tadashi dying was expected, but sad, and really ties into the theme of the movie. The second act of the movie is also pretty strong with Hiro and Baymax confronting the villain for the first time, and getting their friends involved and their subsequent first fight was also good, rife with character interactions, humorous moments, and very sad and chilling scenes.
The third act...I kinda felt this is where the movie dropped a bit. While it did have good action, seeing all of this superheroing after the first two acts of the movie were so strong on character, it just didn't feel right. "Rushed", I think, would be the right term to use for it, and I'll explain why later. But overall I felt the story was strong, just not as strong as it had the potential to be.
Characters:
The real meat of the movie is the interaction and bond between the characters of Hiro Hamada (Ryan Potter, Supah Ninjas) and Baymax (Scott Adsit, 30 Rock). Both of them have strong personalities, strong moments in the movie, and are part off what makes the movie so good. Now of course the idea of "a child and his pet" in movies is not new (Old Yeller and The Iron Giant come to mind), but the key to making old ideas seem fresh is to either have a new take on the idea or to make the same concept just as entertaining. The relationship between Hiro and Baymax is the latter.
Hiro rediscovers Baymax
Hiro Hamada is characterized as being a genius at robotics, but he is still just a 14-year old. As such he goes through typical teenager stuff and has quite a snarky bite to him. The good thing is that while he is smart, he doesn't lord his genius over others or is boastful. He is also socially awkward, which is perhaps one of the reasons why he doesn't want to go to college. Losing Tadashi would be a big blow to him, but as the movie progresses and with the help from Baymax and his friends, he learns how to truly appreciate and understand how somebody lives on in spirit and memory after they have gone, and emerges from his shell and becomes more confident.
Baymax is a robot, which you think might not allow him to be a memorable character, but he most certainly is. Baymax is a robot nurse, and was designed by Tadashi to have an adorable, huggable appearance to help ease the patient. His robotic voice, mannerisms, and literal mindedness contribute to his appeal to the audiences. Like any good robot story, Baymax slowly learns how to interact more with humans, and it leads to some very hilarious scenes and heart-wrenching ones. His literal minded-ness stays true though, and in the end when he willingly sacrifices himself to save Hiro's life, he tells Hiro that he will always be "here". Baymax is most definitely the mascot of the movie and the character everybody remembers. It is my hope that Baymax will join the likes of The Terminator, R2-D2, Mazinger Z, and Optimus Prime as one of pop culture's greatest robots.
A "real" Baymax at the movie's premiere at the Tokyo International Film Festival
Hiro's brother Tadashi Hamada (Daniel Henney, My Lovely Sam Soon) is not in the movie for very long, but his character serves a number of purposes: He's Hiro's inspiration for going back to school, he created Baymax, and his death drives the protagonists to search for his killer and become superheroes. Another character is the Hamada brothers's aunt, Cass Hamada (Maya Rudolph, Saturday Night Live). She serves as their mother figure after their parents died, and does her best to be a parent despite owning a popular café and not knowing much about raising kids. She has even less screen time than Tadashi and probably could have been cut out of the movie. She's there mostly for the humor, but her snarky attitude and demeanor is certainly there.
And then we have the four friends of Hiro and Tadashi, and this is one of the major points where people are divided when it comes to the movie. One, the characters have almost stereotypical personalities and stand almost a little too out when they are with Hiro and Baymax. Two, these four do not really have a lot of character development or story focus to them. Despite the movie being called Big Hero 6, it's really only two of them that get the most focus: Hiro and Baymax. The other four are almost an afterthought, and seem like they were just runoff from the comic. It's apparent that Disney played up the bond between "the boy and his robot" more so than the actual team.
While I can agree with that, I'm kind of happy with what we got. Better, I think, that we got a movie that managed to fit in some character development for the other four instead of risking trying to develop all six of them at once. I also have to disagree with these four being stereotypical. I think that, while they are not all that strong in character department, they have strong characteristics that make them just as memorable as Baymax if you're that invested. Go Go Tomago (Jamie Chung, Once Upon a Time) is a mechanical engineer with a chip on her shoulder and is a woman of few words. Wasabi (Damon Wayans Jr, New Girl) is a plasma engineer with slight OCD and is a neat-freak. Honey Lemon (Genesis Rodriguez, Days of our Lives) is a chemical engineer with a perky, bubbly personality and a passion for her degree. Finally, Fred (TJ Miller, How to Train Your Dragon) is a comic book nerd that is not properly enrolled in the school, but serves as its mascot operator and has an enthusiasm for science. All four of them have their moments in the movie, and serve to help Hiro and Baymax in their quest. Again, could've gotten more attention, but I was satisfied with their presentation in the movie.
Hiro meets Go Go, Wasabi, Honey Lemon, and Fred

Themes:
The main theme of the movie seems to be the acceptance and handling of grief & loss, and the ability to continue as life goes on. This is exemplified through Hiro, Baymax, Tadashi, and our villain of the movie. Hiro loses Tadashi early on in the movie, and Baymax by the end (though he does get rebuilt) and loss of a loved one is one of the motivations behind the actions of the villain of the movie. There is one scene in the movie where Hiro forces Baymax to turn violent and attempt to kill the villain, only for the four friends to get Baymax back under control. Hiro breaks down afterwards after discovering who the villain really is, and mourns Tadashi's loss until Baymax shows him video footage of him. Through Baymax, Hiro learns that someone can truly live on in spirit long after they're gone, and by the end of the movie emerges as a stronger character. Baymax learns to become more human, and learns how to not only treat physical injuries, but mental ones too as he tries to "cure" Hiro. When Baymax sacrifices himself he express sadness that he will die, but is able to detect that Hiro is "cured" and has learned to accept loss, which pushes his resolve to save his life.
The second aspect of the movie is less of a theme and more focused on the genre: superheroes. And as I mentioned previously, this is where people may scratch their heads. Because it was originally based on a Marvel property, people might have been expecting something up to the levels of the likes of the Marvel Cinematic Universe, or perhaps expected the movie to focus a lot more on the actual team than just Hiro and Baymax. As explained, it has less to do with that and more on the bonding of the two. It makes me wonder if Disney was forced to include them in because it was based off a comic. It does have superheroing action to be sure, but it mostly concentrated in the third and climactic act instead of being balanced throughout the movie. Again, I don't really mind too much, but I can understand why people dock points off this movie for not focusing on superheroes in a movie that features superheroes.
Music:
Because this is not a Disney musical (Like Frozen, Winnie the Pooh 2011, Tangled, and Princess & The Frog before it), there's not much to say on the music itself. Incidental and background music we have is OK, I guess. The only major song to note is the movie's tie-in song, Immortals by Fall Out Boy. It is played first in the movie when the team is getting their hero gear ready, and during the credits. It's a pretty catchy song, and it's nice to have Fall Out Boy contribute to a Disney movie, even though some are complaining that Fall Out Boy attaching themselves to this "ruins their image".
Music video for the movie's tie-in song, Immortals
Animation:
A really huge pet peeve of mine when it comes to Disney is when people complain about the current CGI movies and want them to go back to hand-drawn, 2D animation. I respect other peoples opinions when it comes to things, but when you have people complaining for no particular reason other than "New stuff stinks!" or else just hating on anything new, I draw the line. But I think, ever since Tangled came out, Disney has been doing really great CGI work. Big Hero 6, with its really unique backgrounds that blend American and Japanese architecture and miscellaneous objects, gives it a real pop. This is definitely a good looking movie, both during daytime scenes and nighttime scenes. And any who are still complaining about the animation should just accept it and move on, because that is what the movie is aiming to focus on in its themes.
Final thoughts:
All in all, Big Hero 6 is just a great and fun movie. It has its problems and drawbacks to be sure, though. How much they bother you though ultimately depends on how willing you are let them going to bother you, and if you're part of that crowd that doesn't mind the problems, then you're in for something enjoyable. If you're not, well, it's a good movie to kill an hour and 30 minutes. For comparison's sake, it's nowhere as good as Frozen, but it continues to show that Disney is still going strong in this new era of films, and has no signs of slowing down.
My score: 4.1/5

Wednesday, November 12, 2014

Couch: Doctor Who: New Series 8/Season 34 FINALE PART 2-Death in Heaven

DISCLAIMER: All images and videos in this blog review are owned by their respective owners.

Previous episode reviews:
Episode 11: Dark Water
Episode 10: In the Forest of the Night
Episode 9: Flatline
Episode 8: Mummy on the Orient Express
Episode 7: Kill the Moon
Episode 6: The Caretaker
Episode 5: Time Heist
Episode 4: Listen
Episode 3: Robot of Sherwood
Episode 2: Into the Dalek
Episode 1: Deep Breath

Summary:
The Cybermen have been begun their attack, and not just in the UK, but all over the world, as the dead are coming back to life as these menacing metallic monsters. As Missy, The Doctor's greatest foe, watches in glee, The Doctor, Clara, and the organization known as UNIT try and put a stop to this. For Clara and Danny, the end is nigh...
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And thus we have reached the end of New Series 8/Season 34 of Doctor Who. Do I think the finale is an epic conclusion to my first season of the show, or do I think it's an atrocious waste that ends the season on a horrible note? Let's find out.


So the last review left off with the question of who is "The Master". Well, to put it simply, The Master is The Doctor's archenemy. If Sherlock Holmes has Professor Moriarty, Batman has The Joker, Optimus Prime has Megatron, and Amuro Ray has Char Aznable, The Doctor in Doctor Who has The Master.

The first on-screen appearance of The Master in 1971
The Master first appeared in Season 8 of Classic Doctor Who, during the Third Doctor story "Terror of the Autons". As said in "Dark Water" The Master is the from the same race as The Doctor, a Time Lord from the planet Gallifrey. He was first introduced to be an old rival of The Doctor before he came to Earth, with the aim of conquering the universe and killing The Doctor.
Like The Doctor, The Master has been seen throughout the show in a number of incarnations through regeneration:
The eight on-screen incarnations of The Master. From L-R:
Roger Delgado, Peter Pratt, Geoffrey Beevers
Anthony Ainley, Eric Roberts
Derek Jacobi, John Simm, Michelle Gomez

Unlike The Doctor though, The Master remained practically the same throughout the various incarnations: Power-hungry, menacing, a tad insane, and harboring an obsession with triumphing over The Doctor. The Classic Show would have the 3rd, 4th, 5th, 6th, 7th and 8th Doctors facing off against The Master, while the New Show has the 10th Doctor, and most recently the 12th, facing his archenemy. The New Show would explore further details about The Master, such as how he became friends with The Doctor, why he became insane, etc.


The first New Series appearance of The Master in 2007


In the show's 50 year history, The Master had 26 stories dedicated to his machinations, counting the Series 8 two-part finale. Needless to say, the revelation of the enigmatic Missy being The Master was a HUGE shock to the worldwide Doctor Who fandom.

The Doctor Who fandom explodes, and I pretty much had the same reaction

And it's not just because of the return of The Master that had people freaking out. If you haven't already surmised in that picture of all the versions of The Master, The classic Sesame Street song will give you a hint:

Yep, The Master is, in fact a woman. Missy is short for Mistress, and because of the gender change, a name change was in order too. Oh boy, this is a bit complicated...
For the longest time, every time The Doctor and The Master regenerated, it was always male. But the fictional history in the show has established that Time Lords can change their gender through regeneration as well. It's just that, for one reason for another, they could never implement it...until now.

The revelation that Missy, the mysterious umbrella lady who appeared at the end of "Deep Breath" was The Master the whole time suddenly puts the entire season in a different perspective, and can make us look back at just how long Missy was planning this. But it also...kinda puts Missy's line about The Doctor being her "boyfriend", and THIS shot in "Dark Water"...

Remember, the lady on the left used to be a guy!

...in a different light. But anyway, I've rambled long enough about The Master, and there's still a lot to talk about, so let's continue. For the sake of simplicity, we'll refer to The Master as Missy from now on, and he as a she.

As the Cybermen fly out of St. Paul's Cathedral, the organization known as UNIT shows up. UNIT is short for United Intelligence Task Force, and is a long-time ally of The Doctor that first appeared during the 2nd Doctor story "The Invasion". Their head, Kate Lethridge-Stewart, renders The Doctor and Missy unconscious. As the two are taken away, the Cybermen unleash rainclouds all over the world, specifically in graveyards, mausoleums, funeral homes, and morgues. In the Nethersphere, Danny is in the middle of deciding whether or not to delete his emotions before he and all the souls taken there are released back to their bodies, while in St. Paul's Cathedral, Clara is surrounded by Cybermen before one of its own destroys them and knocks Clara unconscious.

Aboard a secure aircraft, Missy tells The Doctor and UNIT her plan. The rainclouds reanimate the dead bodies as Cybermen, and the souls trapped in the Nethersphere become Cybermen as well. Before The Doctor can take any action, Missy escapes her bonds and kills UNIT personnel while flying Cybermen attack and destroy the plane. The Doctor manages to summon the TARDIS and land safely, while Kate seemingly falls to her death. This is one of my disappointments of the episode, in that UNIT barely did much when they were known to be a very strong organization in the past episodes and seasons of Doctor Who. But we do get a nice payoff by the end of the episode.

Clara wakes up in a graveyard to find the Cyberman that saved her, while dozens upon dozens more rise from the graves, using the corpses. The Cyberman is, in fact, Danny. He didn't delete his emotions, and as a result managed to keep his sanity in check and save Clara from death. As Clara weeps for Cyber-Danny, The Doctor arrives. Clara demands that the Sonic Screwdriver be handed over so as to delete Cyber-Danny's emotions and save him from the pain, even if the removal of Cyber-Danny's emotions means that he could kill Clara. She however doesn't care. It's a sad scene, as the relationships between Clara and Danny throughout the season ends on a really sad note. It'll be much more sad by the end.

Since deleting Cyber-Danny's emotions will link him up to the Cybermen's hive mind and reveal the full extent of Missy's plan anyway, The Doctor allows Clara to do so. And here's where the finale starts to lose it a bit for me. Cyber-Danny is fully cyber now, and says that there will be a second unleashing of rain clouds that will convert humans into Cybermen. Missy lands a la Mary Poppins...and gives The Doctor the control bracelet for the Cybermen. As the Cybermen salute The Doctor, Missy reveals that all of what she has done was specifically for him. Missy argues that, with a Cybermen army, he can now right the universe's wrongs just like he always strived for.

The Doctor refuses, saying that no one should have a right to that kind of power, and it's not a good thing. Missy further states that The Doctor clearly doesn't trust himself, and we a get a good scene where we flashback to all the times this season where The Doctor didn't trust himself or questioned his morality, and where his hatred shone through. As he ponders this, The Doctor has an epiphany; he's not a good man, or a bad man. He's an idiot, an idiot with a box just passing through time and space, out of love for doing good things in the universe. With the final realization in place, he tosses the control bracelet to Cyber-Danny, who retained his emotions because of his love for Clara. To pile on the cheesiness of the scene, Cyber-Danny rallies the Cybermen to fly into the second raincloud and self-destruct. He then leads the Cybermen into the sky, destroying themselves and the cloud.

So basically, the power of love won the day. And don't get me wrong, stories like that are fine and all, but for something like Doctor Who? It's soooooo cheesy and schmaltzy, and very corny. Blegh.

Missy is unperturbed by all of this, even when Clara takes Missy's device and threatens to kill her. The Doctor attempts to stop her, and all Clara can do is chastise him for not doing so in the first place, no matter how he and Missy may be old friends. Even Missy's promise that their home planet Gallifrey is back doesn't stop Clara, so The Doctor has no choice and takes up the device. Finally confronted with all that has happened, and how Missy finally got under his skin, The Doctor declares this victory to Missy...before Missy is suddenly vaporized by a lone Cyberman. Upon closer inspection of the Cyberman, they discover an unconscious Kate on the ground. The Doctor stares at the Cyberman and realizes that this Cyberman is Kate's deceased father, Brigadier Lethridge-Stewart. The old friend of The Doctor and the founder of UNIT, in a very touching (If polarizing) scene receives a salute from The Doctor as it flies to parts unknown. The Doctor surmises that, just like Danny saved Clara, The Brigadier saved his daughter out of love.

Two weeks later, things have not looked up for both Clara and The Doctor. For Clara, the spirit of Danny appears to her and reveals that he can come back to life, but decides to send back a child he accidentally killed in a war instead. Danny says a final farewell to Clara, and Clara sobs at her lost love. Meanwhile, The Doctor uses the coordinates that Missy gave him and heads to space...to find that Gallifrey was not there. Missy lied and had the last laugh, and The Doctor pounds the TARDIS console in anger and weeps at his lost planet. To make things worse, The Doctor and Clara decide to part terms with each other, and lie that their lives are looking up. Clara says that she and Danny are back together and will live out their lives, while The Doctor says he has found Gallifrey. And with a final hug, The Doctor departs in the TARDIS. This final bit of the episode ends with a major high note for me, because of its bittersweet nature after everything that has happened in this series to its characters.

Final thoughts:
I liked Death in Heaven, though it was VERY mixed for me. It started out strong, went down in the middle, and kind of stayed rocky throughout the rest of the episode. I certainly enjoyed it, but it wasn't the epic, strong finale I was really hoping for, especially since this is my first season. There were a ton of moments that made me scratch my head, and the finale at times was extremely cheesy for my taste.

Still though for what we got, Death in Heaven was a nice episode, and it had a lot of good moments that made Series 8 end on a good note. Not a great note, but a good note nonetheless. All in all, this finale could have been better, but I certainly enjoyed it.

My score: 3.5/5.

Oh, and yeah. There's this too, shown as a mid-credits scene.

Doctor Who will be back in its annual Christmas episode!

Thursday, November 6, 2014

Couch: Doctor Who: New Series 8/Season 34 FINALE PART 1-Dark Water

DISCLAIMER: All images and videos in this blog review are owned by their respective owners.

Previous episode reviews:
Episode 10: In the Forest of the Night
Episode 9: Flatline
Episode 8: Mummy on the Orient Express
Episode 7: Kill the Moon
Episode 6: The Caretaker
Episode 5: Time Heist
Episode 4: Listen
Episode 3: Robot of Sherwood
Episode 2: Into the Dalek
Episode 1: Deep Breath

Summary:
After tragedy strikes Clara, she and The Doctor vow to resolve it and up in a strange world called "The Nethersphere". What they learn there about the concept of death will change their perceptions of it forever, particularly when it involves Cybermen, and the mysterious Missy...
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Series 8 of Doctor Who has certainly been a wild ride. And after ten weeks of episodes, character evolution, plot development and building mysteries, things start to come to a head in part one of the Seires 8 finale: Dark Water.

Like the review of "Into the Dalek", this review will start off with a brief overview of another one of Doctor Who's iconic enemies due to their crucial role in the finale: The Cybermen.

The first on-screen appearance of the Cybermen in 1966
 
 
Like the Daleks, the Cybermen made their debut during the time of the First Doctor. Specifically, they appeared in the four-parter swan song of the First Doctor, "The Tenth Planet". In this story, The Doctor and his companions land at the South Pole in 1986 and come across The Cybermen: robotic creatures that were once humans from Earth's twin planet Mondas (The titular Tenth Planet), but over the millennia have replaced their body parts with artificial parts as a means of self-preservation. As a result, the Cybermen have become more machine than man; powered by cold & calculating logic, detached from human emotions.
 
Original (and silly, yet terrifying) Cybermen design from 1963
 
Current Cybermen design from 2013
 
 
Counting the two-part finale, the Cybermen have appeared in 20 stories on TV. Unlike the Daleks (and their 31 TV stories), not all versions of the Doctor have faced off against them; The 3rd, 8th and 9th versions didn't face them. Their appearance in the revived series did not occur until Series 2/Season 28, during the time of the 10th Doctor. Since then they have appeared sporadically across the Revived Series, with the most recent being in "Dark Water." They are not entirely the focus of the episode, as this one is revolves around the characters, but they are still the major threat of the story.
 
The first appearance of the Cybermen in the Revived Series in 2006
 
In the Forest of the Night was a massive bore and pretty meh episode, but Dark Water completely made up for it. Full of character moments, a creepy undercurrent of malice, dark and rather scary moments, and a HUGE major revelation in the end, it is a very good episode and an excellent start to the finale.
 
 
The episode starts off some time shortly after the events of In the Forest of the Night. After her experiences with Danny then, she decides to call him up and come clean with everything about what she has been doing these past few episodes. It's a nice indication that despite Clara's confession about travelling with The Doctor, Clara did not completely open up to him yet. Throughout the entire season we've seen Clara become more and more introvert as she kept more secrets, become more introvert, and become more snappy and scathing at various things that annoyed her. In other words, she became more and more like The Doctor. So it's nice to start out the episode with Clara ready to tell Danny over the phone about all the strange things she's encountered, and potentially start a new chapter in their relationship, go into a new level of development and possibly-
 
Then the phone goes silent, and Clara rushes to the scene of an accident. Danny is dead, hit by an oncoming car. Yep.
 
Grieving, Clara goes to the TARDIS and steals all the TARDIS keys while distracting The Doctor, finally knocking him out. In the heart of an active volcano, Clara threatens the Doctor into going back in time and saving Danny, even though she and The Doctor know this is a bad idea without unravelling time itself. In the process, Clara throws the TARDIS keys into the volcano, leaving The Doctor stuck outside the TARDIS, unable to enter, and Clara collapsing in horrification at what she had done...
 
...and waking up. It was just a dream. Clara failed to knock The Doctor out, and instead he knocks her out, leading to the dream state. A bit of a cop-out considering the trailers have really hyped up this moment, but it serves as an in-story test of Clara's character. We clearly see just how far off the slippery slope Clara fell, and the intention of Clara willing to go far is a big blow of betrayal to The Doctor. Despite this, The Doctor is willing to look aside after all they've been through together. It's probably the weirdest element of the episode for me because a plot idea like that should've have more exploration, but as this is the finale, more pressing issues are at hand.
 
Using Clara's psyche and desire to find Danny, the TARDIS travels to a building, a mausoleum, housed with creepy skeletons sitting in chairs and submerged in a dark, almost water like substance. It's here where Missy finally emerges and greets The Doctor, as head of the organization known simply as 3W. After Missy outright kisses The Doctor, they are led to the organization's head doctor. Elsewhere in 3W, Danny wakes up to find himself with Seb, Missy's assistant, who tells Danny what happened.
 
We get a dual plot-exposition as the 3W doctor and Seb explain to The Doctor, Clara and Danny about what 3W really is. 3W is an organization that takes care and preserves the dead. When somebody dies their consciousness is transported here but their physical body is still left where it is. They can also feel whatever happens to their body, as 3W stands for "Three Words". Most of them are "Don't Cremate Me!" implying that the dead consciousness of people can feel what happens to their bodies. It's a really chilling thought, befitting an episode that came out right after Halloween.
 
After an encounter with one of the people Danny killed (A child), he is given a choice to delete his emotions in order to fully let himself go. Through the 3W doctor however, Clara manages to contact Danny. But Danny, horrified at the prospect of Clara sacrificing everything just to be with him again, forcibly breaks the connection. Finally broken with the blood of the people he killed on his hands, Danny considers deleting his emotions.
 
Meanwhile, Missy realizes The Doctor has learned too much, and she kills the 3W doctor. She unleashes the preserved skeletons and removes the Dark Water....revealing them to be Cybermen in disguise. The Doctor confronts Missy and she reveals that she's been using the souls of the dead to power a new army of Cybermen. And there were A LOT of Cybermen. The Doctor also realizes that the way she's been using this was a device made of Time Lord technology. The Doctor is in shock and awe at how Missy was able to get a hold of such advanced tech. Missy is unperturbed however, and says that how she got it is simple: She's a Time Lord, or lady, herself. Missy and The Doctor are the same species!
 
 
Just as a Cyberman is about to attack Clara, the Doctor bursts out of 3W...only to find himself in London. 3W was actually housed inside St. Paul's Cathedral, and the Cybermen begin their invasion. Finally fed up with everything that has happened, The Doctor once again asks who Missy is. The episode ends as Missy reveals who she is...to the utter horror of The Doctor, as the Cybermen begin their march down St. Paul's Cathedral, just like what happened 46 years ago...
 
2nd Doctor story "The Invasion", 1968, as the Cybermen march down from St Paul's Cathedral
 

12th Doctor story "Dark Water", 2014, as the Cybermen march down from St Paul's Cathedral
 
 
And who is "The Master"? Well...